Now we will describe the tuning of feedback controllers,
that is the adjustment of the controller parameters to match the
characteristics (or personality) of the rest of the components of the loop. We
will look at three different specification of control loop performance:
1.
Quarter decay ratio
response
2.
Minimum error integral
3.
Controller synthesis
This latter method, in addition to providing some simple
controller-tuning relationships , will give us some insight into the selection
of the proportional, integral and derivate modes for various process transfer
functions.
QUARTER
DECAY RATIO RESPONSE BY ULTIMATE GAIN
This pioneer method, also known as the close-loop or on-line tuning
method, was proposed by Ziegler and Nichols in 1942. like all the
other tuning methods, it consists of two steps:
In this method the dynamic characteristic of the process are represented
by the ultimate gain of a proportional controller and the ultimate period
of oscillation of the loop. We usually determinate the ultimate gain and period
from the actual process by the following procedure:

Response
of the loop with the controller gain set equal to the ultimate gain K. T is the
ultimate period
For the desired response of the close loop, Ziegler and Nichols
specified a decay ratio of one-fourth. The decay ratio is the ratio of the
amplitudes of two successive oscillations. It should be independent of the input to the system and should depend
only on the roots of the characteristic equation for the loop.
Because the quarter decay ratio tuning parameters are not unique, a
substantial research project was conducted under Professor Paul W. Murrill and
Cecil L. Smith to develop tuning relationship that were unique. Their
specification of the closed-loop response is basically a minimum error or
deviation of the controlled variable from its set point. The error is a
function of time for the duration of the response, so the sum of the error at
each instant of time must be minimized.
Because the tuning relationship are intended to minimize the integral of
the error, their use is referred to as minimum error integral tuning. However
the integral of the error cannot be minimized directly, because a very large
negative error would be the minimum.

Definition of error integrals for disturbance and for
set point changes.
In the preceding
sections, we have taken the approach of tuning a feedback controller by
adjusting the parameters of the proportional-integral-derivative (PID) control
structure. In this section, we will take a different approach to controller
design, that of controller synthesis, which is performed as follows:
Given
the transfer function of the components of a feedback loop, synthesize the
controller
required to produce a specific closed-loop response.
Although we get no assurance that the controller
resulting from our procedure can be built
in practice, we stand to gain some insight into the selection of the
various controller modes and their tunings.
Let us consider
the simplified block diagram in which the transfer functions of all the loop
components other than the controller have been lumped into a single block

From the block diagram algebra, the transfer function
of the closed loop is:
C (s) / R
(s) = Gs (s) G(s )/ 1 + Gs(s) G(s)
Next we use this expression to solve for the
controller transfer function
Gc(s)
= 1 / G(s) . C(s) / R(s) / 1 – C(s) / R(s)
This is the controller formula synthesis. It gives us
the controller transfer function Gc(s) from the process transfer
function G(s) and the specified closed-loop response C(s) / R(s). The resulting
controller is:
Gc(s)
= 1 / G(s) . 1 / 1-1 = 1 / G(s) . 1 / 0
This says that in order to force the output to equal
the set point at all times, the controller gain must be infinite. In other
words, perfect control cannot be achieved with feedback control. This is
because any feedback corrective action must be based on an error. The
controller synthesis formula results in different combinations of closed-loop
response specifications and process transfer functions.
The advantage of the controller synthesis is that it
allows the engineer to achieve a specified response by adjusting a single
parameter, the gain regardless of controller modes involved. The tunable gain
is a disadvantage, because the formulas do not provide the “ball-park” value
for it.